Totally Awesome Holidays!

Three years (or 37 years) in the making! Totally Awesome: The Greatest Cartoons of the Eighties goes on sale tomorrow! Check out the totally awesome cover by Italian artist Christian Cornia!




If you’re ordering online, please use Amazon Smile and select the Cartoon Art Museum as your non-profit of choice!

I’ll have a limited number of these on sale for the holidays, too! If you’d like a signed and sketched copy, please contact me through this website for details. I’ll be selling these for cover price ($50) plus shipping, but I’ll be happy to personalize your book with a sketch of your favorite eighties animation character!

San Diego Comic-Con 2017!

I’m back home after a fun time at the 2017 San Diego Comic-Con, my fifteenth in seventeen years. I’ll hit some of the highlights here while it’s still fresh in my mind.

Preview Night

For the first time in several years, I arrived early (waaaaaay too early) on Wednesday morning so that I could attend Preview Night at the convention. As always, I was staffing the booth for the Cartoon Art Museum, and this was the eleventh year of our annual sketch-a-thon fundraising event where talented artists drew at our table in exchange for donations to the museum.

My hotel roommates this year were a who’s who of fun comics, including Debbie Huey (Bumperboy), Ben Seto (Skullbunnies), and Wahab Algarmi (The Society of Unordinary Young Ladies). We grabbed a late lunch after they set up their tables at the convention center, and had a fun afternoon talking comics before the convention floor opened up to attendees. Wahab and I were nearly trampled when the doors opened and we were caught halfway between our booths and Hasbro’s, but we lived to tell the tale.

I grabbed dinner that night with some new friends from the Comic Book Legal Defense Fund and Jody Houser, an incredible comics writer (which is a great thing) and a huge fan of my wife, Shaenon K. Garrity (which is even better). We had a fun night talking comics, and thanks to Lyft, we had dinner in a part of San Diego that I’d never visited before. Not surprisingly, it’s rare that I venture more than about six blocks away from the convention center when it’s time for dinner, since friends and I are always tired and on foot when the show wraps up each day.

Thursday, July 20

I spent almost the entire day manning the Cartoon Art Museum’s booth, so it was a “slow” day, for the most part, hanging out with artists and updating people on the museum’s relocation efforts. I got to attend the Scholastic Books annual party in the evening and caught up with a few friends there, but for the most part, it was an ease-into-Comic-Con kind of day.

Friday, July 21

I signed Teenage Mutant Ninja Turtles: The Ultimate Visual History for my publisher, Insight Editions, at their booth on Friday morning. For a book that’s been out for three years already, we still managed to sell quite a few copies while I was there, and I think the rest sold out when Kevin Eastman signed books for Insight the next day. I got to catch up with my editors and their publicity team, and had a nice time catching up with everyone.

Later that afternoon, I moderated my first panel of the weekend, Condemned to Repeat?, a look at biographical and autobiographical comics featuring Sarah Glidden, Box Brown, Nathan Hale, John Holmstrom, Lewis Trondheim, and Brigitte Findakly. It was a fun discussion, although hampered somewhat by the need to go through an interpreter for Lewis and Brigitte. The panelists were sharp and talented, however, and it made for a fun discussion. I’d give the panel a “B,” if I were assigning a letter grade.

That night, I attended the Eisner Awards, and I scored a seat at the Valiant Comics table thanks to Jody Houser. The Eisners are always fun, especially since the organizers added live music and celebrity presenters to the festivities. Although Jody went home empty-handed, the award in her category went to Jeff Lemire’s comic Black Hammer, and this was his eleventh nomination and first win. This was Jody’s first nomination, and I’m sure she’ll be up on the stage getting her own trophy soon enough.

Several friends won awards, but the most memorable for me was Jason Shiga winning for Demon. His editor, Mark Siegel, called him from the stage, as Jason was in France at the time, and Jason delivered his acceptance speech over the phone from thousands of miles away. It was an incredible moment, especially since Shaenon and I had seen that comic during every stage of its development, including its pre-development, and I remembered all of the publishers and agents who warned Jason that the comic not only wouldn’t sell, but it would potentially damage his career, due to the graphic nature of the book. No one would have predicted an Eisner Award and a publishing contract with First Second a few years ago, and now I’m not going to be surprised when I see Jason onstage accepting an Oscar for the film adaptation.

The Eisners after-party is one of my favorite activities at the convention each year, as I get to catch up with more friends at one time than at any other event at the convention. I got to shake hands with award presenter Thomas Lennon after he bumped into me on his way out of the building, and I’ve been a fan of his since You Wrote It, You Watch it debuted on MTV 20-something years ago. I also got to shake hands with William Messner-Loebs, winner of this year’s Bill Finger Award, and to thank him for his contributions to some of my favorite comics in the nineties, including Flash and The Maxx.

Saturday, July 22

Saturday was all about the panels. First up was the Harley Quinn 25th Anniversary panel with Paul Dini, Amanda Conner, Chad Hardin, Alex Sinclair, Frank Cho, moderator Jimmy Palmiotti, voice actress Tara Strong, and me talking about Harley Quinn in front of 500 audience members. It was a blast, and being up on stage was the only way I was going to have a good seat for a panel like that. We revealed Amanda Conner’s incredible cover art to my forthcoming book The Art of Harley Quinn, and I’m sure we picked up at least a few sales thanks to the panel discussion.


As soon as that wrapped up, I had to wade through a sea of Harleys to go across the hall to moderate my next panel, Unconventional Comics, with R. Sikoryak, Melanie Gillman, Gemma Correll, and Simon Hanselmann. It was a fun group, and R. (jokingly) gave me a hard time about the title, since he didn’t think the panelists were producing anything that was truly unconventional. It’s always good to have some banter like that onstage, and it made for a fun conversation. The panelists were all very animated and entertaining, and I’ll give myself an A-minus for this one.

A couple of hours after that, I moderated a spotlight on Insight Editions new Insight Comics imprint, launched by my Harley Quinn editor Mark Irwin. I wasn’t able to do as much prep for this one as I’d have wanted, but it was mostly an opportunity for me to help the panelists talk about their forthcoming comics with the new imprint, and I did a pretty solid job as the emcee. I’ll give myself an A for this one, since it was a great conversation and everyone involved, plus the audience, seemed to have a fun time.

On Saturday night, I attended a pizza party hosted by Insight Editions celebrating the launch of their new Teenage Mutant Ninja Turtles Pizza Cookbook with guest of honor Kevin Eastman. It was fun catching up with Kevin and trying some new pizza recipes (including my new favorite, pepperoni and pickles), and getting to see some of my friends geek out with the co-creator of the Turtles.

Sunday, July 23

Sunday was a pretty casual day by comparison. I ran the Cartoon Art Museum booth from first thing in the morning until early afternoon, then made one last loop around the convention floor to buy presents and catch up with a few people I’d missed earlier in the week, like Jeff Keane, Tom Richmond, and Stan Sakai. My current tradition for Comic-Con is to schedule my flight so that I’ve got to leave the convention center at least an hour before the show wraps up, which allows me to beat traffic and to not get caught up in the last-minute panic as everyone tries to do every last thing at the convention before the final bell sounds at 5pm.

Dragged myself to the airport and, not surprisingly, ran into even more comics people on my way back, including Justin Hall, who’d just wrapped up a whirlwind day-and-a-half visit to the convention. We both agreed that it had been a crazy, exhausting convention…and that we’re already making plans for next year.

Thanks, Comic-Con! See you soon!




San Diego Comic-Con 2017 schedule


It’s July again, and the San Diego Comic-Con International is almost upon us! Although you can generally find me at the Cartoon Art Museum booth, #1930, I’ve got a number of signings and panels on my calendar.

Thursday, July 20, 2017 

4:00-5:00pm, Sketch-a-thon, Cartoon Art Museum booth #1930

Friday July 21, 2017

 11:00am-12:00pm, Insight Editions booth #3721: Art of Harley Quinn and TMNT: The Ultimate Visual History signing

1:00pm – 2:00pm, Room 25ABC: Condemned to Repeat? 

Everyone’s heard the George Santayana quote, “Those who cannot remember the past are condemned to repeat it.” But what can comics help us to remember? As it turns out, quite a lot. Andrew Farago (Cartoon Art Museum) delves into the past with Comic-Con special guests Box Brown (Tetris), Nathan Hale (Nathan Hale’s Hazardous Tales), Sarah Glidden (Rolling Blackouts), John Holmstrom (The Best of Punk Magazine), Lewis Trondheim (Poppies of Iraq), and Brigitte Findakly (Poppies of Iraq).

Saturday July 22, 2017

 12:30-1:30pm, Room 6DE: DC’s Harley Quinn: Celebrating 25 Years


Twenty-five years ago, Dr. Harleen Quinzel made her first appearance in Batman: The Animated Series, and what a debut it was! An instant fan favorite-and her popularity has been meteoric ever since! Come celebrate her first appearance anniversary with some of the key contributors to this modern icon. Featuring Paul Dini, Amanda Conner, Jimmy Palmiotti, Chad Hardin, Kevin Conroy, Tara Strong, and Andrew Farago.

1:30-2:30pm, Room 8: Unconventional Comics


Comics are all about super powers and saving the world, right? Discover the rich and growing market for comics that may lack super-powered heroes but are super all the same. Moderator Andrew Farago (Cartoon Art Museum) discusses with panelists R. Sikoryak (Terms and Conditions), Simon Hanselmann (Megg & Mogg), Gemma Correll (The Worrier’s Guide to Life), and Melanie Gillman (As the Crow Flies) how they were inspired to write their unconventional books and why the comics format was right for their work.

3:30-4:30pm, Room 24ABC: Insight Comics: Focusing on Content and Creators


In early 2017, Insight Editions launched Insight Comics, a dynamic new imprint dedicated to publishing original and licensed graphic novels. These beautifully illustrated stories run the gamut from tales of post-apocalyptic horror and sci-fi survival to epic fantasy battles, supernatural adventures, and thrilling detective mysteries for people of all ages. Meet the editors and creators behind the brand, get a glimpse of what the team has planned for the rest of 2017 and beyond, and learn why Insight Comics is the preeminent home for creators. Panelists include Mark Irwin (editor), Katie Kubert (editor), Nilah Magruder (M.F.K.), Richard Hamilton (Scoop), Jean Dufaux (Djinn), Arianna Irwin (The Comet), Tom Sniegoski (Atomic Frenchie), and Frank Tieri (comic book writer).


See you at APE in San Jose this weekend!



I’ll have Eastman/Laird bookplate editions of TMNT: The Ultimate Visual History available at booth #206!  I’m staffing both my own booth and the Cartoon Art Museum‘s booth this year, as always, and will be joined by the great Gene Luen Yang on Saturday and the double-great Thien Pham on Sunday.  This is my SIXTEENTH YEAR at this convention, and it’s always one of my favorites.

TMNT Bookplates!

A friendly reminder to all of you folks who get a copy of TMNT: The Ultimate Visual History this holiday season:  I’ve got a limited number of bookplates signed by me, Kevin Eastman, and Peter Laird available for purchase!  For $60, I’ll send a bookplate your way ($65 internationally), and you can be the envy of all your fellow shellheads!

Drop me a line at andrewfarago(at) for more information about the bookplates, signed and sketched copies of the book, and personalized commission drawings!



TMNT Commissions!

I’ve been working on some Teenage Mutant Ninja Turtles commissions recently.  This pair is based on the cover of the original TMNT comic book from 1984.  One image features the 1980s animated versions of the Turtles, the other features their villainous counterparts from that first animated series.

These are done on full-sized 11″ x 17″ comic book art boards, and will set the buyer back $175 apiece.  If you’re interested in something similar, please drop me a line at andrewfarago(at)